Recently I came across some interesting music clips that show the evolution of NZ music.
During the past from the 60's through to the 80's we see attitudes towards Maori culture evolve.
Under the banner of 'Time, continuity and change' the influence of past events could be used to explore the evolution of music and its significance to New Zealand and New Zealanders.
Music is a type of media that plays a huge role in how public perceive a certain situation. I will argue that music is in a way a form of hegemonic media that conforms to what the mass population would like to hear and what they think is correct at that time.
For example:
Puha and Pakeha - Rod Derret
http://www.youtube.com/watch?v=CltZG7Cw0eo
The song was a light-hearted tale of Pāhekā in early New Zealand being eaten by Māori, and included the following lyrics:
I don’t give a hangi for the Treaty of Waitangi,
You can’t get fat on that
Give me some Puha and Pākehā.
You take a little umu and you get it very hot,
You catch a little Pākehā and put him in a pot,
Cook him all up in your old home brew,
And what have you got? Kiwi Stew.
Lyrics like these would not be considered politically correct today so what does that tell you about the attitudes of those in the 60's? This song portrays Maori as the savage cannibal which has passed on through time. My grandmother remembers the consequences of this song as negative towards Maori and their culture.
This song is an example of hegemonic media aimed at portraying Maori in a way that is agreed upon by the mass population who was not Maori.
Tim Finn however has a different view of Maori which he portrays in his lyrics of Parihaka.
http://www.youtube.com/watch?v=F4PvN7Zb4-w (performed by Herbs)
My friend, My friend, I hate to see you suffer,
Events conspire to bring us to our knees,
My friend, my friend, you've taken this the wrong way,
Rise up, defend yourself, never give in,
Look to the sky, the spirit of Te Whiti,
The endless tide is murmuring his name.
I know Te Whiti will never be defeated,
And even at the darkest hour,
His presence will remain.
I'll sing to you the song of Parihaka.
I can see the first verse of this song suggesting that the author (Tim Finn) felt a closeness with Te Whiti and Tohu and the devastation that their tribe had to endure. It becomes obvious that at this time there is pakeha recognition to the devastation that Maori had to overcome. Could this have changed the attitudes of many during this period towards Maori?
During the 70's and 80's a huge radical movement was taking place with regards to land ownership. This song is an example of how attitudes changed towards Maori as more pakeha were being educated in the mass murders of Parihaka. Yet another example of how hegemonic media have displayed lyrics to conform to the current situation.
Six months in a leaky boat -Split Enz
http://www.youtube.com/watch?v=ar7DgREshAk&feature=related
Aotearoa, rugged individual
Glisten like a pearl
At the bottom of the world
The tyranny of distance
Didn't stop the cavalier
So why should it stop me
I'll conquer and stay free
Ah c'mon all you lads
Let's forget and forgive
There's a world to explore
Tales to tell back on shore
I just spent six months in a leaky boat
Six months in a leaky boat
Their lyrics include the Maori word for NZ which I see as an endorsement of "Te Reo" Even if it is not pronounced correctly (laugh) it was an awesome effort. This song became a hit, not only nationally but internationally. What a great way to promote and acknowledge our country. This is a song that every Kiwi knows. I think is mostly metaphoric, a pre colonial adventure talking about the love of the sea and travelling to Aotearoa with the need to put our differences behind us.
During the 70's and 80's was also the time in where Maori language was being challenged to be recognised. The lyrics of this song exemplifies the use of Te Reo in a positive way, therefore considered hegemonic in the sense that Maori language is now acceptable so therefore we can display this in our lyrics.
These 3 examples show the change of attitudes towards Maori over 3 decades. Music media plays a huge impact on attitudes of the population towards certain situations, for example, lyrics including the mutilation of pakeha through cannibalism would not be approved today, however back in the 60's this was seen as acceptable which shows the evolution in our society today towards Maori. Music is indeed a form of hegemonic media that conforms to what the mass population would like to hear and what they think is correct at that time.
Do you agree? Or do you have any other examples to share?